Al Jolson New Top 40 charts announced in...
Al Jolson war ein amerikanischer Sänger und Entertainer. Nach großen Broadway-Erfolgen erlangte er mit seiner Titelrolle in dem Film The Jazz Singer , der als erster abendfüllender Tonfilm gilt, besondere Bekanntheit. Außerdem prägte er die. Al Jolson (* Mai als Asa Yoelson in Seredžius (Srednik), Gouvernement Kowno, Russland, heute Litauen; † Oktober in San Francisco) war. Der Jazzsänger (Originaltitel: The Jolson Story) ist eine US-amerikanische Filmbiographie des Regisseurs Alfred E. Green aus dem Jahr Der Film erzählt das Leben des jüdisch-amerikanischen Jazzsängers Al Jolson (–). Jewish protagonist Jakie Rabinowitz, torn between tradition and modern spirit, and the success of the film are inseparably connected with the artist Al Jolson. Im Al Jolson-Shop bei lansforsakringr.se finden Sie alles von Al Jolson (CDs, MP3, Vinyl, etc.) sowie weitere Produkte von und mit Al Jolson (DVDs, Bücher usw.).
Dokumentarfilmerin. Andrea Oberheiden-Brent. Moderation: Anton Jakob Weinberger. Al Jolson – The Jazz Singer (). JÜDISCHe FILmNaCHt OFFeNbaCH. All the singles and albums of AL JOLSON, peak chart positions, career stats, week-by-week chart runs and latest news. Al Jolson (* Mai als Asa Yoelson in Seredžius (Srednik), Gouvernement Kowno, Russland, heute Litauen; † Oktober in San Francisco) war.
Payback Soundtrack. Goodfellas Jakie Rabinowitz. Radio Man". Show all 92 episodes. Belvedere TV Series lyrics - 1 episode - Debut TV Series lyrics - 2 episodes - Louis Armstrong Leonard, The McGuire Sisters Lee" - uncredited.
Robinson Crusoe writer: "A Year from Today" - uncredited. Rip Van Winkle? We Have No Bananas" - uncredited. Al Jolson.
Jakie Rabinowitz. Jakie Rabinowicz. Jack Robin uncredited. Jack Robin. That same year, La, La Lucille , the first show for….
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More About. While Jolson is credited for appearing in the first movie musical, Cagney's Academy Award-winning movie was the first movie Ted Turner chose to colorize.
Even though he had several TV offers at the time, Jolson was apprehensive about how his larger than life performances would come across in a medium as intimate as television.
He finally relented in , when it was announced that Jolson had signed an agreement to appear on the CBS television network, presumably in a series of specials.
However, he died suddenly before production began. Japanese bombs on Pearl Harbor shook Jolson out of continuing moods of lethargy due to years of little activity and " Even before the U.
He requested permission to go anywhere in the world where there was an American serviceman who wouldn't mind listening to 'Sonny Boy' or 'Mammy' I went around during the last war and I saw that the boys needed something besides chow and drills.
I knew the same was true today, so I told the people in Washington that I would go anywhere and do an act for the Army.
Roosevelt , volunteering "to head a committee for the entertainment of soldiers and said that he "would work without pay A few weeks later, he received his first tour schedule from the newly formed United Services Organization USO , "the group his letter to Early had helped create".
He did as many as four shows a day in the jungle outposts of Central America and covered the string of U.
Naval bases. He paid for part of the transportation out of his own pocket. Upon doing his first, and unannounced, show in England in , the reporter for the Hartford Courant wrote, " And pandemonium From an article in The New York Times :.
He [Jolson] has been to more Army camps and played to more soldiers than any other entertainer. He has crossed the Atlantic by plane to take song and cheer to the troops in Britain and Northern Ireland.
He has flown to the cold wastes of Alaska and the steaming forests of Trinidad. Nearly every camp in this country has heard him sing and tell funny stories.
Some of the unusual hardships of performing to active troops were described in an article he wrote for Variety , in In order to entertain all the boys After returning from a tour of overseas bases, the Regimental Hostess at one camp wrote to Jolson,.
Allow me to say on behalf of all the soldiers of the 33rd Infantry that you coming here is quite the most wonderful thing that has ever happened to us, and we think you're tops, not only as a performer, but as a person.
We unanimously elect you Public Morale Lifter No. S Army. Jolson was officially enlisted in the United Service Organizations USO , the organization which provided entertainment for American troops who served in combat overseas.
While touring in the Pacific, Jolson contracted malaria and had to have his left lung surgically removed.
In , during a nationally broadcast testimonial dinner in New York City, given on his behalf, he received a special tribute from the American Veterans Committee in honor of his volunteer services during World War II.
But for four weeks there was nothing Finally, Louis A. Johnson , Secretary of Defense, sent Jolson a telegram.
Who needs funds? I got funds! I'll pay myself! On September 17, , a dispatch from 8th Army Headquarters, Korea, announced, "Al Jolson, the first top-flight entertainer to reach the war-front, landed here today by plane from Los Angeles Before returning to the U.
It was demolished by UN forces after the army made it safely across in order to prevent the Chinese from crossing. Alistair Cooke wrote, "He [Jolson] had one last hour of glory.
He offered to fly to Korea and entertain the troops hemmed in on the United Nations precarious August bridgehead. The troops yelled for his appearance.
He went down on his knee again and sang 'Mammy', and the troops wept and cheered. When he was asked what Korea was like he warmly answered, 'I am going to get back my income tax returns and see if I paid enough.
The screenplay was to be written by Herbert Baker and to co-star Dinah Shore. Two weeks after signing the agreement, he died of a heart attack in San Francisco.
A few months after his death, Defense Secretary George Marshall presented the Medal for Merit for Jolson, "to whom this country owes a debt which cannot be repaid".
The medal, carrying a citation noting that Jolson's "contribution to the U. Despite their close relationship while growing up, Harry Jolson Al's older brother did show some disdain for Jolsons's success over the years.
Even during their time with Jack Palmer, Jolson was rising in popularity while Harry was fading. After separating from "Al and Jack", Harry's career in show business sank.
On one occasion Harry offered to be Jolson's agent, but Jolson rejected the offer, worried about the pressure he would face from his producers for hiring his brother.
Shortly after Harry's wife Lillian died in , the brothers became close once again. Jolson's first marriage to Henrietta Keller took place in Alameda California, on September 20, His name was given as Albert Jolson.
They divorced in In the summer of , Jolson met young tap dancer, and later actress, Ruby Keeler , in Los Angeles Jolson would claim it was at Texas Guinan 's night club and was dazzled by her on sight.
Three weeks later, Jolson saw a production of George M. Cohan 's Rise of Rosie O'Reilly , and noticed she was in the show's cast.
Now knowing she was going about her Broadway career, Jolson attended another one of her shows, Show Girl , and rose from the audience and engaged in her duet of "Liza".
After this moment, the show's producer, Florenz Ziegfeld , asked Jolson to join the cast and continue to sing duets with Keeler.
Jolson accepted Ziegfeld's offer and during their tour with Ziegfeld, the two started dating and were married on September 21, After their divorce, she remarried, to John Homer Lowe, with whom she would have four children and remain married until his death in He became fascinated with her and more than a year later he was able to track her down and hired her as an actress while he served as a producer at Columbia Pictures.
After Jolson, whose health was still scarred from his previous battle with malaria , was hospitalized in the winter of , Erle visited him and the two quickly began a relationship.
They were married on March 22, During their marriage, the Jolsons adopted two children, Asa Jr. After a year and a half of marriage, his new wife had never seen him perform in front of an audience, and the first occasion came unplanned.
Jolson and his wife were in the audience with a thousand others, and George Jessel was emcee. Without warning, during the middle of the show, Jessel said, "Ladies and gentlemen, this is the easiest introduction I ever had to make.
The world's greatest entertainer, Al Jolson. The place is going wild. Jolson gets up, takes a bow, sits down It's chaos, and slowly, he seems to relent.
He walks up onto the stage Then he says, 'I'd like to introduce you to my bride,' and this lovely young thing gets up and takes a bow.
The audience doesn't care about the bride, they don't even care about Sophie Tucker. Jolson was a Republican who supported Warren G. Harding in and Calvin Coolidge in for president.
As "one of the biggest stars of his time, [he] worked his magic singing Harding, You're the Man for Us to enthralled audiences Jolson, like the men who ran the studios, was the rare showbiz Republican.
The dust and dirt of the Korean front, from which he had returned a few weeks earlier, had settled in his remaining lung and he was close to exhaustion.
While playing cards in his suite at the St. His last words were said to be "Oh After his wife received the news of his death by phone, she went into shock, and required family members to stay with her.
It became one of the biggest funerals in show business history. He was a casualty of the [Korean] war. The caption read, "The Song Is Ended.
Newspaper columnist and radio reporter Walter Winchell said:. He was the first to entertain troops in World War Two, contracted malaria and lost a lung.
Then in his upper sixties he was again the first to offer his singing gifts for bringing solace to the wounded and weary in Korea.
Today we know the exertion of his journey to Korea took a greater toll of his strength than perhaps even he realized.
But he considered it his duty as an American to be there, and that was all that mattered to him. Jolson died in a San Francisco hotel.
Yet he was as much a battle casualty as any American soldier who has fallen on the rocky slopes of Korea A star for more than 40 years, he earned his most glorious star rating at the end—a gold star.
Friend George Jessel said during part of his eulogy:. The history of the world does not say enough about how important the song and the singer have been.
But history must record the name Jolson, who in the twilight of his life sang his heart out in a foreign land, to the wounded and to the valiant.
I am proud to have basked in the sunlight of his greatness, to have been part of his time.
Jolson's widow purchased a plot at Hillside and commissioned his mausoleum to be designed by well-known black architect Paul Williams.
The six-pillar marble structure is topped by a dome, next to a three-quarter-size bronze statue of Jolson, eternally resting on one knee, arms outstretched, apparently ready to break into another verse of "Mammy".
On the day he died, Broadway dimmed its lights in Jolson's honor, and radio stations all over the world paid tributes. His death unleashed tributes from all over the world, including a number of eulogies from friends, including George Jessel, Walter Winchell, and Eddie Cantor.
Jolson has three stars on the Hollywood Walk of Fame contributions to radio, motion pictures, and the recording industry.
The U. Postal Service honored him by issuing a cent stamp that was unveiled by Erle Jolson Krasna, Jolson's fourth wife, at a ceremony in Lincoln Center on September 1, According to music historians Bruce Crowther and Mike Pinfold: "During his time he was the best known and most popular all-around entertainer America and probably the world has ever known, captivating audiences in the theatre and becoming an attraction on records, radio, and in films.
He opened the ears of white audiences to the existence of musical forms alien to their previous understanding and experience Of Jolson's "Mammy" songs, he adds, "with real tears streaming down his blackened face, he immortalized the Negro motherhood of America as no individual could.
However, Jolson's signature style, loud and passionate, was soon eclipsed by the cooler and more intimate style of the crooners , singers such as Bing Crosby and Frank Sinatra, who dominated the pop charts in the s, s, and s.
While Jolson could and did croon, his basic style was formed in the era when a singer needed to project to the back of a theater with his own physical power; later singers who developed in the microphone era were freed from this constraint.
My father In a way, you could say that Jolson was my earliest influence as a singer. In fact, I staged my first public performance shortly after seeing that movie I leaped into the living room and announced to the adults, who were staring at me in amazement, "Me Sonny Boy!
State of California. Jolson often performed in blackface makeup. In the retrospective view of a later era, however, the use of blackface has come to be viewed as implicit racism.
This is heavy baggage for Al Jolson. Historians have described Jolson's blackface and singing style as metaphors for Jewish and black suffering throughout history.
Jolson's first film, The Jazz Singer , for instance, is described by historian Michael Alexander as an expression of the liturgical music of Jews with the "imagined music of African Americans," noting that "prayer and jazz become metaphors for Jews and blacks.
Upon the film's release, the first full-length sound picture, film reviewers saw the symbolism and metaphors portrayed by Jolson in his role as the son of a cantor wanting to become a "jazz singer":.
Is there any incongruity in this Jewish boy with his face painted like a Southern Negro singing in the Negro dialect?
No, there is not. Indeed, I detected again and again the minor key of Jewish music, the wail of the Chazan , the cry of anguish of a people who had suffered.
The son of a line of rabbis well knows how to sing the songs of the most cruelly wronged people in the world's history. According to Alexander, Eastern European Jews were uniquely qualified to understand the music, noting how Jolson himself made the comparison of Jewish and African-American suffering in a new land in his film Big Boy : In a blackface portrayal of a former slave, he leads a group of recently freed slaves, played by black actors, in verses of the classic slave spiritual " Go Down Moses ".
One reviewer of the film expressed how Jolson's blackface added significance to his role:. When one hears Jolson's jazz songs, one realizes that jazz is the new prayer of the American masses, and Al Jolson is their cantor.
The Negro makeup in which he expresses his misery is the appropriate talis [prayer shawl] for such a communal leader.
Many in the black community welcomed The Jazz Singer and saw it as a vehicle to gain access to the stage.
Audiences at Harlem's Lafayette Theater cried during the film, and Harlem's newspaper, Amsterdam News , called it "one of the greatest pictures ever produced.
Jolson's legacy as the most popular performer of blackface routines was complemented by his relationships with African-Americans and his appreciation and use of African-American cultural trends.
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